Keegan – A History of Warfare – a much needed historical- philosophical outlook

Dan Byrnes in review of John Keegan, A History of Warfare. London, Hutchinson/ Random House, 1993.

I mostly read social, political and maritime history, and rarely read military history unless I absolutely have to, so why did I bother anyway with Keegan here? Well, for one thing, he has a well-considered, philosophical outlook on the history of warfare that I have never encountered before. He also has useful dates in Ancient History I’d enjoy surveying. And once you get into Keegan’s view of Ancient History, he is a lecturer at Sandhurst military academy in the UK, you are gone as a reader, captured in more ways than one by Keegan’s views on the ugly business of war, about which he makes no bones, violently ugly it is.

Although, Keegan rather sidesteps questions about why humanity conducts war, and has done so for so many thousands of years. What Keegan has done is go into the anthropology of warfare, which he does partly as he thinks that the face-to-face combat we are used to in European theatres of war, came from Ancient Greece. Ancient Greek ways of warfare, best represented by the Spartans, became pathways for humanity’s trajectory out of more primitive ways of warfare, which used more ritual and ceremony than westerners are now used to.

The Greeks influenced the Persians and more so the Romans. The Romans transmitted their views on warfare to the edges of their empire, especially to the Germanic peoples. Earlier on, how and why did humanity adopt the habit of building defensive walls for cities? The development of horse-based warfare also was a factor, and horse-using fighters learned detachment for their fighting methods, perhaps more so than any other kind of fighter.

But how are all these competing views organized by Keegan as he proceeds? His book is less than chronological, and is more devoted to themes, but I found his use of statistics about war scenarios quite riveting.

Keegan begins his book by flatly contradicting the well-known view of Clausewitz that war is the continuation of policy by other means. Keegan sees this view of Clausewitz as arising from specific times and places in European history – where Napoleon’s star shines rather brightly – a Europe of polities, states, state interests,while war in fact long predates strategy, diplomacy, more modern political realities.

Yet today we are still strung between the pacifist and the lawful bearer of arms; we know both will prefer to die rather than give up their creed of life. Primitive man long ago felt and saw things differently, yet finally, the lawful bearer of arms had to heed orders that might mean the end of his life , even in “primitive societies”. Society – and/or civilisation – has always had to live with such dilemmas, but the many different ways humanity has found for dealing with these issues is why Clausewitz is not so much wrong, as severely limited in his outlook.

Keegan buffs his often philosophical prose with clear references to the uglinesses of war (kidnap, looting, pillage, rape, extortion,systematic vandalism) and he tells us (for example) that if there are many kinds of war, there are no simple answers, either. That in western culture there are three major elements to the conduct of war, the moral, the intellectual and the technological. (Keegan seems to want to leave it to his reader to decide if the advent of atomic warfare was highly meaningful for mankind, or otherwise.)

This is a very zoom-in/zoom-out sort of book. Keegan gives us close-ups of theatres of war, or he gives us long historical perspectives to ponder, as with the use of gunpowder, the development of cannon. And he also says things such as: a world without organised armies would be uninhabitable. He is also against “cultural rigidity” in the conduct of warfare. He mentions “military restraint” approvingly, and thinks that military practitioners and/or peacekeepers in the future will still have much to learn (or relearn) from The Orient, or from more primitive cultures. This is why an approach to the anthropology of warfare is to be recommended; it helps to promote cultural adaptiveness where military challenges are involved, or are imposed on us.

And, Clausewitz was wrong. Keegan says, politics must continue, war cannot continue. The two things are separable, they are not necessarily in harness to each other or for each other. (Ends)

Movies List by Dan Byrnes

This Movies List is highly truncated, but it is not the beaten path of the Hollywood publicity machine either. It is more a search item that points to good or watchable movies that can often come recommended, but some listings are just entered merely on a spec basis (give them a try). Good watching can generally be expected. I happen to collect movies on historical topics, and the list given here is built around this preference. Now read on and enjoy. The list is chronological and will be regularly updated. Dan Byrnes

One million years ago

One Millions Years BC. (A 1996 movie)

Movies on Adam or Eve?

Primeval. ?

10,000BC. (Released in 2008.)

Noah’s Ark. (See the John Huston movie.) Noah, with Russell Crowe. See also a documentary (maybe a offering the in the Australian style of the SBS network?) The Real Noah’s Ark, on a pre-Gilgamesh set of Mesopotamian instructions for a round-built ark – rather like an Irish coracle. An ark of quite a different shape.

Thor. A 2010 movie with Chris Hemsworth and Natalie Portman.

Wrath of the Titans. Made in 2012.

Underworld. Rise of the Lycans. With Rhona Matra. A 2009 movie.

Secrets of the Dead. The Silver Pharaoh. (Documentary?)

Movie, Joseph and his Brethren. Old movie starring Robert Morley. Fairly bad, quite stagy, on the biblical story re Joseph and his coat of many colours.

Lost Worlds. (Films or documentaries.) Have seen it.

Also, DVD on Immortality: Ancient Glory.

The First Emperor: China’s Entombed Warriors. Have seen it.

Set 1250BC, The Ten Commandments, On Moses etc, classic movie with Charlton Heston.

Exodus, Gods and Kings. (On Moses and the Exodus, quite a different, more modern treatment than the movie with Charlton Heston.

The Bible, a series with Ben Kingsley, three movies, On David, Solomon and Moses.

The Odyssey. TV miniseries on Homer’s famous work. See also a 2014 movie, The Legend of Hercules, with Kellan Lutz.

Troy, movie with Brad Pitt as Achilles the warrior. Have seen it.

Set about year 1000BC. a 1959 movie titled Solomon and Sheba.

Alexander, The Director’s Cut, with Anthony Hopkins. See also a documentary with David Adams, Alexander’s Lost World, (have seen it by August 2014.)

The 300 Spartans. (A very cartoonish movie.) See also 300: Rise of an Empire (a 2014 offering.)

Three Kingdoms. (A Chinese movie.)

Around the time of Jesus …

The Greatest Story Ever Told, a 1965 movie.

The Last Temptation of Christ. See also on the last hours of Jesus, the Mel Gibson movie, The Passion of the Christ.

Mary Magdalene, a movie with Rooney Mar and Joaquin Phoenix. Set at the death of Jesus. A 2018 movie.

Movies on Paul of Tarsus (eg, re his road to Damascus experience.)

The Robe. With Charlton Heston. (Have seen it).

Caligula. (Have seen it.)

I Claudius. A well-done miniseries starring Derek Jacobi. (Have seen it.)

Rome. An excellent miniseries. Only early seasons are extant. The series was truncated as the large set for it, outside Rome in Italy, burned down, a real tragedy in more ways that one.

1770s

1780s

1790s

1800s

1810s

1820s

1830s

1840s

1850s

1860s

1870s

1880s

1890s

1900s

1910s

1920s

1930s

1940s

1950s

1960s

1970s

1980s

1990s

In 2000

In 2001

In 2002

In 2003

In 2004

In 2005

In 2006

In 2007

In 2008

In 2009

In 2010

In 2011

In 2012

In 2013

In 2014

In 2015

In 2016

In 2017

In 2018

More to come

2018 documentaries.

More to come

In 2019

More to come soon




On Oldenbourg’s book, The Crusades

Dan Byrnes in review 3-9-2017 of Zoe Oldenbourg, The Crusades. (Trans from the French byAnne Carter) London, Phoenix Press, 2201, first pub in UK in 1966 by Weidenfeld and Nicolson from a French edition of 1965.

A book re the first three crusades and the “emotional climate” that produced them, and a history of Kingship of Jerusalem till the arrival of Saladin the Moslem general and enemy of the Crusaders. And I have to confess that this is one of the oddest books I’ve ever read and perhaps one of the worst, and I have to ask myself, why is this?

Firstly the book seems badly planned, with highly erratic discussions, which seems odd, since the author, Oldenbourg,was a distinct fan of Crusades literature. She gives useful potted histories of certain notables, such as Saladin (1137-1193) (a highly respected Moslem general, Kurdish in origins), or The Leper King of Jerusalem, and yet she doesn’t.

(The Leper King of Jerusalem, seen depicted poignantly in the splendid movie Kingdom of Heaven (2005), was Baldwin IV Anjou (1161-1185), son of King of Jerusalem Amalric I Anjou (1135-1173) and Agnes Courtney (earlier a Saxon name), daughter of Count2 of Edessa Joscelin I Courtney (d.1159) and Beatrice Hethoumia of Armenia. Which none of us will find out usefully from Oldenbourg’s book.)

Oldenbourg (she was a daughter of some Russian journalists who disliked the 1917 Russian Revolution and fled to France) reveals that many of Frances’ senior Crusaders were related (their Crusades were then a family show), but she doesn’t demonstrate it usefully. Continually, the reader finds that Oldenbourg “doesn’t” and so: why is this?

I don’t know why, it has to do with poor design of this book project, but part of the how seems to be her overlooking of women’s names in the genealogies she provides. Women’s names are mentioned in the text and are partly explained in the index, but are not mentioned in the genealogies appended. Nor does she usefully mention any indigenous woman from The Holy Land, Lebanon, Armenia (as with the woman surnamed Hethoumia above), that the Crusaders dealt with. So if anyone wants to pursue relevant genealogies, the index of this book is the best place to look, which is hardly good enough.

We have here a case then of a woman author much relying on contemporary documents, mostly written by men,who is writing a book on male warfare and often ignoring the women they dealt with and often had children by. Oldenbourg seems besotted with The Crusades, but is only a little critical of the fact these Crusades were called in Europe, and is quite unreliable about the Moslem defence against the Crusaders.

Yet she can be alarmingly frank about the depredations of the Crusaders, as when during the fourth crusade they went off the rails and attacked areas they should not have, such as Constantinople in 2014. Which is another problem with this book! What is a story from the fourth crusade doing in a book on the first three Crusades (1095-1192)?

In short, and quite unlike Oldenbourg, who is nevertheless, and paradoxically, quite readable, despite her evident problems of nomenclature and terminology, I feel the Crusades, as far as they affected existing Holy Land placenames and nearby areas, were the greatest nonsense of jumped-up, absurd, French and German feudalism ever foisted on the world. The Kingship of Jerusalem was a sick feudal/medieval joke, but whether it was as sick as the “Caliphate” declared in 2014 by IS (Islamic State), you will not find clearly out from this book, which is just one of the many things wrong with it. A book then to stay well away from … Although Oldenbourg (p. 465) will admit that the Kingship of Jerusalem became “a legal fiction”. I regard it as always and from inception, a fiction. Bah humbug, I recommend you read Runciman’s books on the Crusades.

(Ends)

On Trump and Google late 2018

About POTUS Donald Trump, true, if you type the word “idiot” into Google, on the first page of matches, you’ll get at least one picture of POTUS Donald Trump, sho nuff.

On one truly memorable occasion I got two pics of Trump! But is this good enough? This blog has just done a survey, and found that if you type into Google the word “cretin” you get zilch of Trump. The same for “fool. But if you type in “buffoon” you get two pictures of Donald Trump. So go google now.

Who links to work by Dan Byrnes?

NB: This blog because it wants to communicate with real people will have a zero tolerance view about unwanted spam, particularly machine-made or automatic spam. Spam will be killed immediately in a no-questions asked sort of way.

See Dan Byrnes’ own websites at his domain at: http://www.danbyrnes.com.au

See Dan Byrnes as an independent researcher at academia.edu at: independent.academia.edu

One of the Findagrave websites. see the entry for Matthew Ridley (1746-1789) a minor diplomat of the American Revolution at: https://www.findagrave.com

For Dan Byrnes’ Commentary on the first PhD thesis ever written on convict transportation to Australia, an introduction, see a catalogue item at National Library of Australia: catalogue.nla.gov.au, the thesis written 1933 by Wilfrid Oldham.

Linked at University of Greenwich, London UK, the Maritime History Unit.

A new (2016) PhD thesis well-worth reading on these topics is: Alan Brooks, Prisoners or Servants? A History of the Legal Status of Britain’s Transported Convicts. Phd Thesis, University of Tasmania, 2016. Brooks pays a good deal of attention to information provided by Dan Byrnes, and criticises some of it in a useful way.

For a positive view on research by Dan Byrnes see (re Matthew Ridley of Maryland, and William Bligh of NSW) the history-minded website from USA: http://freepages.rootsweb.com/~auntsissie/genealogy/benedictarnold.html

On maritime history, see the Greenwich Maritime Unit, Greenwich University, London. Also,. the increasingly noted and useful website from University College, London, on Legacies of British Slave Ownership, albeit some some mistakes on its part which will be corrected in due course (it is a very large database and website involved): https://www.ucl.ac.uk

See also an information depot on convict transportation to Australia at: http://members.iinet.net.au/~perthdps/convicts/serendip.html.

More to come. This file will be regularly updated. See   Amy Lupold Bair, Blogging for Dummies. 6th edn. New Jersey USA, John Wiley and Sons, 2016. Blurbs say, Choosing a blogging topic and platform. Using a blog to build a personal brand. Monetizing a blog through advertising. More to come here on blogging.

Review of The Pseudo-Science Wars, by Michael Gordin

Recent reading by May 2017 … Dan Byrnes, review of Michael D. Gordin, The Pseudo-Science Wars: Immanuel Velikovsky and the Birth of the Modern Fringe. University of Chicago Press, 2012. Gordin’s book is more important than it seems. (Gordin was a Professor of History at Princeton University when he wrote this book.)

And I need to defend this position, since as with the US writer Hemingway, we need a good bullshit detector here, about Velikovsky and his ilk, not Gordin.

G. K. Chesterton was quite wrong when he said that if people (he meant people in the English-speaking-world) will not believe in Christianity, they will believe anything. Chesterton is proved quite wrong by the Twentieth Century experiences of a Christian USA, which became a nation in which anything could and would be believed. Including pseudo-science, Creationism, including belief in UFOs – which might by the way be sourced in the old beliefs of American Indian tribes, this up-in-the-air matter remains very up-in-the-air.

The updated finding for our post-Chesterton era is that …. people will believe anything, including Christianity. Period.

We now by 2017 have a USA, an only-in-America, in which, apparently, it is possible to believe anything. We owe this situation partly to the Internet, the fact that anyone can post any fool opinion on the Net (and be believed by somebody), partly to a US education system that seems increasingly poor and which encourages ignorance, and … today, we live in days when denialism about climate change is widespread. Scientists, especially climate scientists, find that their scientific methods used to identify risks arising from climate change are allowed by the media to be questioned by idiots and ignoramuses.

The situation is so bad that I have no panacea, and indeed it has gotten worse, we now live in days of “fake news”. But I do know, from having been a journalist (and a one-time university Geography student), that most journalists are not qualified to discuss the weather, let alone qualified to discuss climate, which produces our weather wherever we happen to live. Enough said.

I also often wonder why/how the idea that the Earth will end one day soon, thus destroying all our lives, really, why is this idea so popular in the USA? Of all places? The answer is probably with Colonial American Christianity, from the Mayflower days, from the days of the Witches of Salem, with Millenarian Christianity, probably, with its eschatology, its belief that relatively few people will be”saved”during the End Times; most of us, like humanity during the Flood of Noah, will be left to perish. Poor us.

Millenarian Christianity, sometimes called “chialism”, is associated with an idea that “religion” will soon be associated with a major, and beneficial, change in society. Belief in an end-of-the-world can also be found in Islam, Buddhism and Zoroastrianism, which leads me to suspect that such a belief should be regarded as universal – as well as destructive.

In Christian beliefs, there will be a Second Coming of Jesus and at the Second Coming, Jesus will not arrive as a harmless male baby, he will come as a fully-fledged Lord of Heaven – doing judging stuff big-time and so kiss goodbye your and my fantasies about continuing to have a nice life on Planet Earth. The idea that the world might or will end has been around for thousands of years in in one form or another, but it was really given a workout in the 1970s when Velikovsky and the zeitgeist popularised his book, Worlds in Collision, first published in the 1950s. Which was about, say, the 15 Century BCE, when Venus was ejected from Jupiter as something like a comet and came close to crashing into Earth. If you can believe that.

This notion was popular with readers but was found so unsatisfactory by scientists that very soon its publishers, Macmillan (a textbook publisher), mostly respected by scientists in the USA, let the publishing be done by Doubleday (not a textbook publisher). Velikovsky ended embarrassing a lot of people including himself – if we respect Science, that is.

And so we had Velikovsky using comparative mythology (based on old holy book writings, mostly Jewish), to drum up his bullshit science, bullshit astronomy, bullshit historical chronology and so on. Gordin thinks the Velikovsky thing blew up in the 1970s and had largely died by 1985. I was living in Melbourne, Australia, during the 1970s, and, indeed, the second-hand bookshops were full of copies of Velikovsky paperbacks; he’d become a sort of unofficial, one-man publishing industry.

I read Velikovsky sceptically, since there was nothing that I  (with my university education fresh in memory) knew about from astronomy or science, geology or ancient history, or Middle Eastern religion, that would support Velikovsky’s views. I sought the advice of a friend’s father who was a scientific geologist. This geologist confirmed my scepticism, but he did surprise me by admitting that reading Velikovsky had jolted him out of the usual old assumption used by geologists (Uniformitarianism, slow, boring, uninterrupted)  and made him wonder anew about Catastrophism (interruptive, sudden and surprising) happening from time to time.

There I left matters till years later I read Gordin, provoked by latter-day findings that in the USA in our Internet days, lots of folks will believe anything, even more than they did in the heyday of Velikovsky. What’s going on? Why would it be that the USA, of all countries in the world, rich and wealthy it is said, has become so truly-rooly only-in-America, the glad home of truly wacky ideas? Why not, well, Iceland? Or India, which has a large enough population to produce a large number of weirdos.

You’ll have to read something like Gordin’s book. Which is a bit dry, a bit slow, and doesn’t exactly tell us exactly what is scientifically wrong with Velikovsky’s views or findings – except in the footnotes. The footnotes are extraordinarily well-done, but of course they slow down a reading of Gordin’s text. The point might be that what Gordin calls “the modern pseudo-scientific fringe” in US life is actually bigger and more dangerous than we thought (in our current world of “fake news”).

But one useful thing Gordin does say, is that pseudo-science is mimetic – it imitates the form and/or substance of the fruits of proper scientific inquiry. Pseudo-science is – science as if.  In Velikovsky’s case, “as if” was written cosmologically large. However, I personally haven’t heard anyone mention Velikovsky, positively or negatively, for years. Whereas, other sorts of US nonsense I have heard mentioned, and too often; unfortunately it is repeated on Australian TV by Australian accents.

Velikovsky is not, I think, the Big Daddy of Pseudo-Science in the USA, but he does stand out, partly as he has a Russian-Jewish name, not an English-based US name. Velikovsky’s scientific nonsense spilled over into all sorts of other unscientific nonsense now popular in the USA; Creationism, religiosity of various kinds, astrology, many kinds of pseudo-science, and non-science or anti-science trends such as today’s anti-vaccination groups, anti-fluoride groups, and so on.

(The anti-vaxxers are right weirdos, encouraged as they are by the USA’s excess emphasis on individualism; they seem to thrive on denying that man is a social animal, liable from time to time to be infected by other social animals near him or her. Particularly with children who are forced by law to regularly gather in institutions known as schools.)

And so, watch out for US mind viruses, they’re deadly and today they’re transmitted not by books, as with Velikovsky, but by the Internet. Given the many weird things that folks in the USA believe today about so many things, including “fake news” … We note also with our heart sinking that a climate-change-denialist buffoon named Trump is currently president of the USA …

I can only say that what the USA needs today, apart from a reliable bullshit detector, is a good solid dose, never to be forgotten, of the usual set of journalistic questions which by the way precede the win-date, November 1783, of the American Revolution.These questions are deceptively simple-seeming … They are: how, what, when, where, why, who?

Because luckily for the rationalists amongst us, there is no bullshit on earth that can stand up for long to sustained attack from these questions. (Ends).

Introducing Tamworth

Tamworth in New South Wales is my home town and now aged 70+, I still think often and fondly of it. This, by the way, would be Tamworth before it was ever “country music capital of Australia”, when it was just another rural city in New South Wales, in the 1960s searching for some reasons to be mentioned more than once just because it appeared on a map.

I was born in Sydney in 6 April, 1948, and my parents moved to Tamworth in 1950, not long after the birth of my only sister, Maureen. My father, originally a farm boy from Tullamore in far western NSW, had asthma, and his doctor had recommended Tamworth as less humid, drier, healthier, definitely more congenial than Sydney. And so I had the benefits of a very free, wide-open Australian country boyhood. It was marvellous! A entire river to swim in. Hills to climb whenever you felt like it. A highway in front of the house to watch out for. Down the road, a bit closer to town, was the local electricity power station, which I now realise in days of climate change was one of the calling cards of my boyhood; it was regularly shut down as unwary crawling possums were fried into eternity. A stable weather pattern, safety, subdued seasons called Spring and Autumn, seasons that could be severe called Summer or Winter. And in summer, the heat! The heat was fantastic. I had as much sun as a child could bear, and I still hate the cold.  

My father was named Daniel Hilton Byrnes, from Tullamore NSW. My mother was named Sarah Smith, from Watson’s Bay, Sydney. My sister was named Maureen Joan. And I was named Daniel Thomas, the Thomas being for my mother’s father, Thomas Smith. But before I want to tell you more of my parents, I need to tell you about my family history …


Why does Hollywood make movies out of mere comic books?

Dear Readers, This rant about Hollywood was part-inspired by one of my Australian friends who happens to be a landscape painter. His views about Hollywood are probably more charitable than mine.

I write in August 2016 as “Hollywood” has just released a new DC Comic Books movie starring Will Smith, something about crims who have been given super-hero-type powers. This movie is titled, Suicide Squad. “News stories” (which are really just publicity balloons) arise about an actress or two in the movie being miscast … But who cares? Hollywood, probably in search of dollars, and abandoning artistic integrity, has become just a branch office of the US comic books industry. Thus it deserves everything it gets.

Look at it this way, and it’s appalling … “Hollywood” has been milking the US comic books industry for dollars instead of milking world literature. In literary terms, “Hollywood” has done far worse than turn inward, or become overly-introspective, it has lost touch with reality and yet it remains busy promoting comic-book-reality. So let’s wonder awhile why “Hollywood”, one of escapism’s more luxurious homes in human history, has become this unrealistic.
Let’s be charitable and assume that Hollywood is in fact too big, too-multifaceted, it has to be at least part-populated by people who are still sane, to have become just malicious, or even badly misguided. Let’s assume that “Hollywood” has just lost its imagination for a period that’s temporary, that it’s going through a bad patch, an unfortunate cultural phase, but not as bad even as rock n roll having lost its roots. But even this could be far too charitable.

Not only has Hollywood sold out to comic-booksville. It makes too many remakes, which means that already-made movies have become the chief topic of study in “Hollywood”. One of the latest unnecessary remakes is a remake of The Magnificent Seven, this time around starring Denzel Washington. As if the world needed or wanted another remake of The Magnificent Seven! So ”Hollywood” has two dire problems: it has sunk to the level of making too-many remakes (lost its imagination) and it’s making too many movies drawn from comic books (lost its faith in world literature). This is the end of “Hollywood”.

You can tell this is the end of “Hollywood” when you make just one count about “Hollywood” as a so-called USA industry: why has the USA made so few movies about the American Revolution? For on reflection, we would soon realise that the USA has made far more movies about winning WWII than about winning its American Revolution– why on earth would this be?

But it’s not all bad, movie lovers. The good news is that lots of good movies and excellent TV mini-series are being made in Canada, UK, Ireland, Norway, other Scandinavian countries, in France, Italy, Spain, Germany, in what used to be called Middle Europe. In Nigeria in Africa, in China,South Korea, South America, Australia. Firms such as HBO, Netflix and BBC keep making stunningly watchable material.


While in India, luckily, Bollywood (Hindi Cinema) is fully geared-up, equipment-wise and techo-wise, it’s ready to go. Bollywood is also lately doing a few productions in Australia. All Bollywood has to do is switch more new content to something the Western World wants, milk world literature in the right ways, and everything should be quite ok from Bollywood. So forget Hollywood, think Bollywood. Forget Los Angeles. Forget hollywood magic, it’s gone, time has moved on.

Goodbye, Hollywood. Maybe it had to do with the world’s digital revolution? Maybe it has to do with the politico-cultural decline of the USA? How and why across the years, Hollywood forgot about world literature and adopted for US-written comic books is hard to say, but it was a fatal mistake. Fatal, and very disappointing with it.
(Ends)

On Mervyn Peake’s Ghormenghast

In March 2017amongst my watching of old videos was an unexpected pleasure, a viewing of Ghormenghast by Mervyn Peake. The reason to mention it,and recommend it, is due to what? … the sets, the actors, the general idea of ghastliness? Some of the actors, and wonderful performances they all give, are: Stephen Fry, Christopher Lee, Warren Mitchell, Zoe Wanamaker, Martin Clunes, Spike Milligan, Eric Sykes, Mark Williams.

The actors in Ghormenghast are a mini-who’s-who of the UK acting world. But that’s not the only reason to watch Ghormenghast. The entire Ghormenghast world needs to be seen to be appreciated, and well, I read the three Ghormenghast novels by Mervyn Peake in the 1970s.

Memorable it was, for vague memories of satire about mouldering piles of old stone architecture, decaying aristocracy, things of the past, the pointlessness of human affairs. Ghormenghast in the novels and film is the home of the just-born Titus Groan, the 77th Earl of Groan, who comes from just the kind of lineage of Groaners you’d expect to be living in such a run-down old castle, it’s all simply appalling.

In the movie version the sets are remarkable, while the action is about decaying aristocracy visited by an intelligent-but-feral kitchen hand, ruthlessness itself, who has escaped from the castle kitchens and becomes Chancellor of the Earldom, but is hardly happy.

Then comes a flood to add more chaos to the sets; you might say, a fearsome case of suddenly rising damp. It’s hard to convey how dreadfully depressing-funny it all is. Suffice to say, highly recommended. It’s a BBC Worldwide release dated 2001, a two-disk set.

Stranger to Stranger, by Paul Simon, review by Dan Byrnes

Review by Dan Byrnes of Paul Simon, his 2016 album, Stranger to Stranger. Concord Music Group Records/Virgin/EMI (on 8-9-2016).

Paul Simon (born 1941 so now aged 74 ) is apparently a bit sleepless at night, hence his song, Insomniac’s Lullaby. Stranger to Stranger is Simon’s 13th studio album and follows his 12th album released in 2011, So Beautiful or So What.

Simon is still hip, still writes a good line, a satirical line or a perceptively sad line; sometimes even a timeless line. He also has the reputation and the friends to do pretty much what he likes, and with Stranger to Stranger he’s done it again. Stranger is mostly an experimental album, concerned to explore either unusual instruments, or, Partch’s alternative theory of music itself.

Creatively, Stranger is not a patch on Graceland, far a better-quality album, yet in many ways it is unfair to compare them. The nature of the experiments conducted for Stranger make it a smaller-scale album, but it’s still witty, still interesting, without being what Graceland was, which was riveting.

My favourite line from Stranger is from Insomniac’s Lullaby, where a sleepless Simon, condemned to be up-all-night, prays that God will save him “from questions I can’t understand”. (Not “don’t understand” but can’t understand”.)

My favourite song on Stranger is probably Cool Papa Bell, a blather of seeming satirical nonsense where Simon lets loose a spray on the absurdities of contemporary USA. The song’s maybe a bit unfair to the actual Cool Papa Bell, who was an Afro-American baseball player 1922-1950 (James Thomas “Cool Papa” Bell, a centre fielder, died 1991), reputed to be the fastest baseball player ever. Simon seems to be saying that to avoid today’s USA absurdities, you have to move your mind pretty quickly or risk being eaten-up by rampant stupidity, in the sense that this is how the world is these days: it’s the stupid, stupid. And I quite agree.

But overall with this album, I suspect that the music experiments and the musical ideas came first, the lyrics came second, the artistic satisfaction came in third and late. One of the characteristics of the album is the repetition of lyrical lines (“I can’t talk now, I’m in a parade.”) plus repetition of purely musical lines and motifs. And finally we have it. Two short-but-marvellous guitar instrumentals to give the listener a rest; tracks originally written for a stage play. A few well-done satires. Amused pity for “street angels”, a link back to the guy who pretentiously “can’t talk now, I’m in a parade” (These days, Simon can’t see why an interesting character can’t appear more than once on a music album, and well, why not?)

Stranger also gives us several songs, miscellaneous, about genuine tragedies (Riverbank) or Insomniac’s Lullaby. A moving-mystifying encounter with a Brazilian faith healer (Proof of Love).

Among the musical inspirations were some sessions exploring flamenco spontaneity. Three tracks using ideas from the Italian electronic dance music virtuoso, Clap! Clap! (Digi G’Alessio). Musical ideas from Harry Partch, a 20th Century composer who heard 43 tones in an octave, not the 12 tones we usually hear, so Partch invented instruments (Cloud Chamber Bowls, Sonic Canons) to reveal these notes. Plus a new instrument from a Partch devotee and curator of Partch instruments, Dean Drummond, inventor of the Zoomoozophone.

One of Partch’s ideas was that atonal works derived from his music were akin to the spoken word, and Stranger is an unusual album, in that I at least felt it was full of musical experiments devoted to backing up not so much a good songwriter, which Simon is, but a poet-wordsmith devoted to the spoken word, which Simon also is, but less often.

And so, Stranger is a 74-year-old Paul Simon at play, perfectly happy to mine failure or experiments to finally get success and make it fun as well – wall-to-wall fun if we can believe Cool Papa Bell.

Simon has done it again and given us new things as well. He’s vastly enjoyed some musical experiments, being with his musicians various; and his old recording pal, Roy Halee, whom Simon dragged out of retirement. The interesting cover art is from a portrait of Simon by Chuck Close.

Age hasn’t dimmed Simon’s talents one bit. Stranger to Stranger is an excellent album, but just, not as good as Graceland. And it’s interesting. It’s not as if the music world isn’t awash with a helluva lot of experiments, there is a lot of sampling going on. Paul Simon seems to see it all, keep on top of all of it, and come out on top yet again. More power to his old age. (Ends 757 words)