On Beatles’ lyrics

Dan Byrnes’  review of Steve Turner,  The Beatles: Stories Behind The Songs. Scoresby Victoria, The Five MilePress, 2010. (Text first published in
1994.)
For an old Beatles fan, what a delight to read this book! Which I got at a 2016 second-hand book fair in Armidale. I ended finishing it in two readings, as bedtime reading, the second time reading it late into the night, to finish it, as it so interesting.

To my mild amazement, I found I had been quite wrong in my views on why some Beatles songs were written as they were, and to my pleasure, right about others. Bono, of the Irish band U2, blurb-writes for this book, “I am a huge fan of The Beatles: The Stories Behind the Songs. It’s an inspiring and humbling book.” I feel much the same.

Nor has the book dispelled one impression I have of The Beatles – they were a remarkably hard-working set of musicians. It’s been said of drummer Ringo Starr (by their producer, George Martin, I think), that you could set your metronome by him. George, Paul and John were all very hard-working musicians, writers, creators. The book has extensive chronologies and discographies, and news on some Beatles songs I still haven’t heard. Which means, there is still more enjoyment waiting for me in Beatles Land. All ultra-enjoyable.

Candidate Donald Trump vs USA weather

Donald Trump vs USA weather (? [Jan. 2016])

Will the real USA please stand up? We live in times of an early start for the US presidential race and a rich, ignorant buffoon named Donald Trump seems streets ahead of his Republican competitors. But how far ahead really is he of his main Democrat rival, Hillary Clinton?
Fear not dear reader-persons about media coverage of Trump. Look instead at the USA’s weather. And we find that the real USA isn’t Donald Trump. The real USA is on the weather ropes (see if we aren’t correct, watch tornado alley in the USA for more bad news if you don’t believe us). Trump is just a side issue.
In early January 2016, mid-winter US-style, the Mississippi River floods, the state of Missouri is in a state of emergency. Parts of St Louis have met destruction. People are being evacuated. All this is on world TV, yet Donald Trump keeps frothing that he will return the USA to its former “greatness”. This writer wonders if the weather (read, the effects of climate change) will allow Trump his wish?

We find that www.forbes.com by 4-1-2016 has an article by a sceptical Larry Olmsted (“When the Levee Doesn’t Break: what’s wrong with the Media’s Weather Coverage?”), where Mr Oldmsted fails to consider cases where the levee does break (such as with New Orleans during Hurricane Katrina). Mr Oldmsted wonders if Memphis Tennessee is really badly flooded or not? And this writer concludes that if US media outlets can’t be trusted to write accurately about the weather, why should they be trusted to write accurately about more subtle matters such as politics and about Trump? It seems a fair enough question.

It gets worse in the USA. We found that earthzone.org runs a web page on “Changing the Media Discussion on Climate and Extreme Weather”, by two writers, Christine Shearer of University of California Santa Barbara and Richard B. Rood, of Dept. of Atmospheric, Oceanic and Space Science, University of Michigan. And we thought, don’t ask Trump about any of this, ask Shearer and Rood. The Weather Channel of the USA (much maligned we found in some circles) had predicted a colder-than-average-winter for the s/w, s/e and the east coast, while warmer-than-average temperatures were predicted for the west coast, n/w, Upper Mid-West and n/e interior,with the current El Nino set to make its mark on the US 2016.

Well, we finally turned in despair to an article on Trump …  The article by Brad Norington finds that Trump’s remarks are “wild, inflammatory and often extreme”, or “wild and devoid of reason”. Not to put too fine a point on Trump, Norington finds he is by turns remarkable for his rise, confounding the experts, shallow (short on detail for the most complex questions), a big mouth, no experience in public office etc etc. Trump advocates a discriminatory immigration policy (about Muslims). Trump is anti-Mexicans. Trump can be abusive, racist, factually incorrect, not so fond of women having menstrual periods, yet Trump is popular.

But who is Trump popular with? Not, it seems, popular with the men who run the USA’s Republican Party or GOP. (Grand Old Party as it laughingly reviews its own history back to Jefferson.) The men who run the GOP are terrified that Trump might get near to winning a Republican nomination to run for President, that they might ever have to endorse him. It seems Trump speaks for a pretty mean constituency, which consists of remnant Tea Partiers, plus working class men with no great education levels, non-university graduates who yet fancy themselves “straight-talkers”. How strong are Trump’s supporters likely to be? Norington doesn’t think Trump will do well soon where he needs to do well politically, in Iowa, New Hampshire and South Carolina. At least one expert Norington talked to thinks Trump’s success is a reflection from USA folks annoyed that a leftie-black-guy (happens to be named Obama), is currently running the US White House.

Norington thinks Trump will finally be left with two options. Stay with the Republicans and be finally inhibited. Or cut loose from them, go Independent, and lose comprehensively to Ms. H. Clinton.

And please don’t ask what happened to those working class US guys with their poorer education levels, or their wives or girlfriends, or their collective destinies, because it will be all too sad. Deplorable, really. Anyone for weather in the USA, then?


(Based partly on an article by Brad Norington on Trump, Weekend Australian, 2-3 January 2016., p. 17 of Inquirer section, “Trump card unplayed as senior Republicans consider shut-out”. The reader will obviously gather that Mr. Byrnes as things happened was not one of those who predicted that Trump would win the US presidency. Which, drat it, becomes another story.)

The Courteen Association to China

The First British Trade Expedition to China, 1637:

Captain Weddell and the Courteen Fleet in Asia and Late Ming Canton

Book Prospectus

By Nicholas D. Jackson, Ph.D.

(Note: Dan Byrnes in his website book online, “The English Business of Slavery”, treats the Courteen Association in Chapters 9, 12, 13. Pls go Google on it.)

As the Ming scholar John Wills wrote in the bibliographical essay appended to his survey of “Relations with Maritime Europeans,1514-1662,” in the Cambridge History of the Ming Dynasty: “There is no fully adequate monograph in any language on any major facet of Ming relations with maritime Europeans. The great stumbling block has been the need to make use of European archival and old printed sources and at the same time to have control of the Chinese sources.” Drawing upon several sets of primary sources in Chinese, Portuguese, and English, I set out to help remedy this historiographical lacuna by constructing a richly-textured narrative and analysis of the first British trade expedition to China in 1637. Not coincidentally, the expeditionary fleet anchored in the Pearl River estuary, the maritime venue that was to host the first battles of the Opium Wars two centuries later. Long before the British “gunboat diplomacy” of the 1830s or Lord Macartney’s famously disappointing embassy to Beijing (1793-1794), a remarkable attempt to establish commercial relations and a permanent trade station in China had been made by a group of Britons authorized and sponsored by the Stuart monarch, King Charles I. In this endeavour of 1637, naval scuffles between British and Chinese ships took place in the same waters that furnished the stage for the opening engagements of the Opium Wars early in the reign of Queen Victoria.

Raids and skirmishes involving the two peoples occurred along the shores of the same waters where the British navy was to carry out Lord Palmerston’s aggressive foreign policy in the Far East. In August 1637, the British stormed a Chinese fort and hoisted the flag of Great Britain to flutter in the breeze above a small island in south China. In September 1637 a fleet of Chinese fire-ships was launched in the middle of the night to annihilate the British fleet. Casualties and deaths were suffered by both Chinese and British in several such engagements. In the autumn of 1637, half a dozen British merchants were detained and imprisoned in the suburbs of Canton for more than three months. Since no comprehensive account of these and other striking episodes in the annals of Sino-British relations has been rendered or published in such detail as they deserve; since no narrative has unveiled and presented all the dramatis personae nor any analysis probed all the events from all the available angles or to such depths as is possible; I will be filling a wide gap in our historical record.

The British venture was undertaken by William Courteen and Associates, an upstart, “interloping,” and formidable rival of the recently (1600) organized and later illustrious East India Company. As L. H Roper, an authority on early British imperial history, recently (2017) noted: “the consistent neglect or dismissal of the Courteen Association in the historiography of the Anglo-British Empire is curious.” All the more odd seems this oversight when the Weddell expedition alone has been described by another scholar, John Appleby, as “an audaciously ambitious attempt to challenge the trading monopoly of the East India Company in Asia.” In the summer of 1637 Captain John Weddell led a Courteen fleet all the way to Macao and then up the Pearl River not far from Canton (Guangzhou). Weddell, a disgruntled ex-employee of the East India Company, was a fierce personality, veteran commander, and an intrepid entrepreneur of the seas. Although he was among the most widely-travelled and battle-hardened of the early EICo sea-captains, he had been treated shabbily and dismissed by the London-based company shortly before he had joined the Courteen Association to command its fleet to the Far East.

 The Weddell expedition of the Courteen Association, in rivalry with and led by several ex-employees of the EICo, was not only authorized but partially funded by the British king, Charles I. The monarch promised to invest £10,000 (or about ‎£2,000,000 in today’s terms). The financing was managed by Sir William Courteen, a London-based merchant magnate. He was a Dutchman who had migrated from Holland, and had become an acquaintance of Endymion Porter, one of the Stuart king’s longest serving courtiers — Porter had been close to Charles since the latter’s years as Prince of Wales, and had even accompanied the heir to the throne on the latter’s failed mission of 1623 to marry the Spanish Infanta. The directors of the Courteen Association hoped that Weddell, blessed with a royal commission, and benefiting from the recent (1635) Anglo-Portuguese accord made at Goa in India, would be able to transact lucrative business in the area stretching in an arc from the west coast of India to the southern islands of Japan. Ideally, he would set up some permanent trading stations (“factories” in seventeenth-century usage) to do a regular and large volume of business. The Weddell expedition of the Courteen Association was animated by an intrepid spirit of exploration, profit-seeking, and conquest. Such lofty, even quixotic, goals as setting up trade stations from the Malabar coast of India to the Malaysian-Indonesian archipelago to the Pearl River Delta of China to the southern islands of Japan; these were not the sum of its aspiration. The prospectus also entertained the notion of launching a contingent to discover the east-Asian outlet of the north-east passage, the route which had been eluding Europeans at least since the time of the anglicized Italian, John Cabot.

My narrative and analysis focuses on the Courteen fleet’s activity in south China, in the province of Guangdong, between Portuguese Macao and the provincial capital, Canton (Guangzhou). The Dragon, Sun, Katherine, and Anne, three large ships and a pinnace, the remnant of the Courteen fleet that had embarked from the Downs in southern England in April 1636, arrived at Macao in July 1637. In revealing and intriguing detail, I relate how CaptainWeddell with his mariners and merchants fared in the next several months spent at Macao and in the Pearl River estuary and its shores and islands, as they endeavoured to forge commercial relations with the Chinese and arrange for a permanent spot from which to conveniently carry out such trade. Besides figuring out what and how things happened as well as what designs and ambitions drove the British, my scholarship aims to explain how and why the Portuguese and Chinese treated the British the way they did. Thus, my story is presented as not only an episode of Sino-British but also one of Anglo-Portuguese relations. Further, it is intended as a contribution to early (or pre-) British imperial history — that is, it provides something along the lines of a record of the British Empire’s birth pangs—or more impishly, and to echo Austin Coates, an earlier student of the British in China: the long and disorderly preamble to British Hong Kong. The series of events sheds unique and fresh light on aspects of Ming China, particularly its imperial and provincial governance, and devices for dealing with foreigners like the British “red-haired barbarians” (红夷). Among other things, the British breakthrough in the Bogue in 1637—marauding and plundering with impunity — exposed the illusory security of the Ming policy (明朝对外政策) of playing off foreigner against foreigner (以夷制夷). Collectively the incidents of the Weddell expedition of the Courteen Association afford us a window through which we can view the workings of the imperial and Guangdong provincial administration in action during the reign of the last Ming emperor, Chongzhen. Much more, and most broadly, this book is a significant contribution to our understanding of the development of Sino-Western relations.

The First British Trade Expedition to China, 1637:

Captain Weddell and the Courteen Fleet in Asia and Late Ming Canton

By Nicholas D. Jackson

Introduction (or Prologue)

1) British in Early Seventeenth-Century Luso-Dutch Asia

2) Enter the Interlopers: The Genesis of the Courteen Association,

Rival of the English East India Company

3) From the Downs to Goa to Malacca:

The Courteen Fleet on the Way to China, May 1636-June 1637

船队来华了

4) Welcome to China, With Portuguese Characteristics:

The Courteen Fleet in Macao Purgatory, July-August 1637

5) The Dragon Enters the Tiger:

The Courteen Fleet at the Bogue and Pearl River Estuary, August 1637

6) Captives at Canton:

The Crisis of the Courteen Fleet in the Boca Tigris and

Retreat to Macao, September-October 1637

7) Negotiation and Liberation:

Restoration and Trade of the Courteens at Macao, October-December 1637

8) Results and Consequences of the First British Trade Expedition to China:

“Anglology” of the Ming and Sinology of the Courteens

Epilogue: Captain Weddell’s Exploits in the Pearl River: Precursor of the Opium Wars? (Ends on Courteen Association)

New website on convict transportation by Prof. Gary Sturgess

From an earlier post to Google-Plus, which by late 2019 is to be discontinued by Google…

 February 2016: At long last, Dan Byrnes’ historical work found online, on convict transportation and the convict contractors particularly (the managers of the convict shipping), has a new companion website. This welcome new website is mounted by Sydney historian Gary Sturgess and is still in its early days, but it should grow regularly. Thiswebsite-to-watch is found at PHP-driven pages such as:http://convicts.sturgess.org/index.php?title=Early_Australian_Convict_Transportation

Early Australian Convict Transportation – Convict Transportation

Background [edit]. The vast majority of the 162000 convicts sent to Australia between1787 and 1868 were transported by private contractors. And for the first three decades, from 1787 until around 1815, these contractors,and their agents on board the ships – the ships’ officers, the surgeons, …

convicts.sturgess.org

The republic of Australia

Not forgetting, that for its edition of 2-3 January2016, the Sydney Morning Herald newspaper came out with an editorial promoting a Republic for Australia. A break-out from the editorial says: “Supporters of the status quo argue that when it ain’t broke don’t fix it. But it is broken. Australia can never define itself on its own terms while it defers to an inherited democracy.”

I agree. One of the oldest pro-Republican arguments in Australia, and it goes back to the nineteenth century, is The Maturity Argument – that Australia has come of age, is now mature, and should let go the apron strings of Mother Britain. It is the argument I mostly use, the argument I most prefer as an Australian republican. This argument was not resisted by some political circles in Britain itself in the nineteenth century, but it is still resisted by monarchists in Australia itself.

This Maturity Argument also suggests that Australia need not stoop to such tactics as the American colonists used from 1775 – armed rebellion. Politically, the transition could be made quite peacefully, and as far as I know, HM Elizabeth II of Great Britain is herself (probably) not against the idea of Australia becoming a republic.

I might add, that foremost Australian critic and comedian, Barry Humphries, as he narrates a recently-produced documentary on Australia 1950s-1980s,“Flashbacks”, (1998-2003), observes that in the 1970s, it was endlessly said that Australia was “coming of age”, and that Australia expressed some of this by rebelling against Mother England. Paradoxically, Australia by 2016 is probably rebelling less against mother England than it was in the 1970s!

One is required to ask, why would this be? It is partly because Republicans have allowed themselves to be buried by Monarchists and the forces of reaction in Australian political life. The 1970s phase Humphries mentioned seems in retrospect then to have been a false dawn for“coming of age”. Worse, there are other warnings to heed, warnings about matters not evident during the 1970s, warnings which did not seem useful till the world saw the results of the outcome of excessive Reaganism in US politics.

For today, by 2016, there is also the risk that Australians will be harmed by thoughtless adoption of ideas which have grown in the USA since 1775, many of which would be harmful for Australia because they badly suit Australian history, political systems or scale(s) of operations. It seems to me that Australians cannot yet be fully trusted to separate what good and bad that has been learned from either of its great and powerful friends – Great Britain or the USA – since 1788. And so it is up to Australian republicans to re-educate their fellow Australians. Please consider yourself placed on this pathway by reading this, then.
                                        -Dan Byrnes, January 2016.

Unwatchable video from Bondi for 2016 – a spoiler alert

Dear TV-Watching Pals about Bondi, Especially for my pal BR, who lives in Bondi but is still not any kind of consultant for any of the “reality TV”shows set in Bondi, Sydney, although with his insights into Australian social life, he really ought to be …

Follows a list of shows on the drawing boards using Bondi locations, and productions of same could well take the next ten or twenty years, who knows?

(Disclaimer: As we know generically, there is no such thing as reality TV, since anything which has been sent through a TV camera is no longer real, but we knew this already.)

Sneak pre-2016 previews: Follows some kind of a new list updated after Bondi Vet went into its present season. (Shows are presented in order of likely popularity in 2016.)

Bondi Scuba Divers (in the harbour and up and down the coasts of Sydney, co-starring The Shark Bait Boys).

The Bondi Statue Fanciers Club. (in-depth series about Sculpture by the Sea exhibition but cleverly designed in ways to badmouth Coogee and to compete with Antiques Roadshow, could even compete with the new series based on Best Exotic Marigold Hotel).

Bondi Nerds Rule OK. (App developers of the world,stand back now and applaud).

Bondi Newsagent (watch thejaw-dropping decline of circulation of Sydney Morning Herald close up, a no-holds-barred insight into the awful disappearance of respected newspapers).

Bondi Prostitute (the blonde one) and the men who keep her in money, The Bondi Tricks.

The Bondi Rich List: Explore economic inequality in today’s Australia using these in-depth looks at Bondi’s wealth patterns as you go from week to week through your own socio-economic gurglers.

Bondi Storms (where the big waves come from).

Bondi Brainstorms (where the ideas for even bigger and better Bondi reality TV shows come from).

Bondi Vroom (on what kinds of cars the people of Bondi buy these days).

Bondi Riot (surprisingly, not sociology, just a show about where to get the best Internet bargains in Bondi).

Bondi – Navel of the Surf Universe: Watch surf-board based documentaries about gripping aspects of Bondi life such as how to shape a surf board from scratch, how new wax is applied to a 20 year-old surf board, layer by layer, by a 60-year-old surfer (who has a wonderfully photogenic case of skin cancer, is not just good, is wonderful).

Bondi Radio Voila: (Digital TV/radio) Random selections of what Bondi people listen to on those rare occasions when they turn the radio on (either digital, FM or AM, as you like). Streaming (wha?).

Bondi at War: Dead or Alive, but Real! (live footage, albeit vetted byAustralian Defence Forces). Check out soldiers, sailors or air force personnel at war who happened to be from Bondi, from the Boer War to the present day. (Replicas of their medals available online at eBay at designated prices.) Special attention to Kokoda Trail.

Bondi Schoolkids (primary). Bondi HSC (the best years vs the worst years, going back to pre-Schoolies days.)

Lastly, The Bondi Flag. Something new on TV to wrap yourself in before you go out to smite your enemies and send them back to where they came from.

(Reviewed at ultra-secret locations in Sydney by Dan Byrnes, late December 2015. Sorry, not, about a New Year’s Day spoof, it tends to come with the territory.)

In praise of Max Richter

In praise of composer Max Richter – A review in late 2015 by Dan Byrnes of music by minimalist composer, Max Richter.

And first, gentlereader-persons, a confession. For years my views about minimalist music have been prejudiced by my dislike, nay, disapproval, of Philip Glass (born 1937), who generates interesting musical ideas, and then fails to let them develop; Glass can generate interesting musical ideas, but the results I mostly find frustrating and I hate the sense of musical inhibition Glass cultivates.

Although,some music by Glass does seem more interesting, such as his “opera”, Ahknaten. Glass’s music for the film Powaqqatsi is at times interesting/unexpected. Other noted minimalists are La Monte Young,Terry Riley and Steve Reich. Young and Riley I haven’t tried yet. Reich I have tried and I sometimes find Reich boring. In my usual player for music files, I find Reich’s tracks “Dolly, and a few tracks titled drumming have already been labelled boring. Some of Reich’s work is quite listenable, but too often he is too much the experimentalist to be enjoyable. Often, Reich’s work feels like music for scenes yet unfilmed and possibly, unfilmable.

“Minimalism”seems a music label that minimalist composers seem to want to escape. Glass, influenced by modernistic European composers as a youth, and later by Indian music and culture, calls himself a writer of “music with repetitive structures” (and the repetitiveness is something else I also don’t like about Glass’s work). Max Richter I much more approve of, as he seems emotionally richer, more elaborate, a more musically-skilled composer in general than many minimalists. I discovered Richter by conventional means, although no one has ever specifically mentioned him to me. An Australian TV network began marketing Richter’s latest production, a multi-track CD offering entitled Sleep (nine CDs, 8-hours long). So I followed-up Richter.

Richter (born 1966 in Germany) with his German name grew up in the middle of England and undertook his young-adult formal music studies in Edinburgh, at Royal Academy of Music, then in Florence Italy. He became a “post-minimalist” and has produced, eg., seven music albums, plus music for movie soundtracks and well, just short compositions. Sometimes, Richter works on real or imaginary stories or histories (the chasm between lived experience and imaginative musings), and with the imaginary stories he perhaps reminds me of the writing of the Argentinian, Jorge Luis Borges -abstract, allusive, philosophical, and if you have a mind for Borges’ kind of fun, delightful but high-level. Richter also has musical plangency. Eg., Plangent, re a sound, loud and resonant, possibly mournful in tone, plaintive (eg., a bell or harpsichord), reverberating/expressive. (The sound of a string quartet at a funeral might be plangent. BBC TV once described the voice of US bluesman B.B. King as “plangent”.)

And FYI, a definition of Minimalist Music … a reductive school of music arising in the 20thCentury (1960s New York), utilizing simple sonorities, rhythms and patterns, minimal use of elaboration or complexity, maybe using protracted repetition, obsessive structural rigour, delivering a pulsing, hypnotic effect. It is non-narrative,non-representational.

Minimalism utilises consonant harmony, steady pulse (maybe uses drones), stasis or only gradual transformation, reiteration of musical phrases according to strict rules. According to Kyle Gann in 1994, a minimalist composer ,minimalist music features a lack of “goal-oriented European associations” and meant a return to simplicity after excess complexity in earlier musical forms. According to David Cope in 1997, it might feature silence, guiding concepts, brevity, slow modulation, phase, pattern and repetition.

Something is possibly owed to Moondog of the 1940s and 1950s (counterpoint stretched statically over steady sound pulses in unusual time signatures) or Denis Johnson’s composition, November (1959). No one quite knows who first coined the phrase, “minimal music”, but perhaps it was pianist Michael Nyman in a 1968 article. Nyman is an Englishman, born 1944,who wrote the marvellous music for the movie set in nineteenth century New Zealand, The Piano. One inspirer was perhaps John Cage. Suffice to say, minimalist music has found its way into more-modern types of rock-n-roll (eg, Krautrock). A deliberate striving for musical beauty is said to be a strong component of minimalist music, but I often find music, let alone beauty, lacking with minimalism.

To be repaid for my pains, finally, by Richter, whose music is often hauntingly beautiful and develops well. Some of Richter’s more beautiful tracks, short or longer than shorter, I find to be well-exemplified, interesting-to-beautiful, by his album, “La Prima Linea”.

Being a poet, I quite approve of some of Richter’s titles for his compositions, short as many of them are. Among them are: 24 postcards in full colour (an album title) and track titles such as: broken symmetries, I was just thinking … tokyo riddle song, return to Prague, cascade, Northern Lights, haunted ocean, I swam out to sea, written on sky, shadow journal, fragment, lines on a page, sofa chess, interior horses … all intriguing sets of words, or intriguing music.

At times, Richter is beautiful, as said, in a haunting way. He can also at times be consoling vs worrying, surprising, arresting, problematical, but almost always interesting, and often, surprisingly full-bodied for a so-called minimalist composer. In all, I’d call Richter a composer of extremely short and high-quality pieces of music, musical essays, except for one thing – he so often uses the standard ways of minimalist music, he has to be called, a minimalist or post-minimalist composer. He says himself, by the age of six he was often “reconfiguring” music. Two of his favourite influences are Bach and The Beatles. He’d perhaps be a classicist if he wasn’t so modernistically electronical.

He tries, he says himself, to find surprises in his works-in-progress to be developed/redeveloped. It might be better just to call him “Richter”and let time and tide sort out his reputation. Which ought to be – a reputation for quiet musical magnificence, I think. Real magnificence.
Dan Byrnes (Australia), December 2015.

Exploring VillaLobos of Brazil

Dear Music Pals, Except for some classical guitar work, I haven’t really thought any extra about classical music since I expanded my horizons with it some years ago in one fell swoop, when I might have emailed you about acquiring eg “the darkest pieces of classical music”, actually a 9-CD set of compilation albums of bits of classical music from here and there – and very good too.

Except that the past few weeks I’ve decided to collect more of the work (he wrote 2000 pieces in total, died 1959 when I was aged 11) by Brazilian composer Heitor Villa-Lobos. Go google on wikipedia for Heitor Villa-Lobos, very illuminating.

I find online that Amazon in Australia has none of him. CD Universe hasd some of him, and some of that is imported from Amazon in USA. My bookseller, who also does music CDs, has looked in UK for me and says that pickings are slim. Villa-Lobos is a bit famous, actually, but whether he is or not seems neither here nor there, there could be more of him available online than is, ok. So for the time being I’ll just pursue his symphonies.

And why pursue Villa-Lobos anyway? Well, he’s Brazilian, so he isn’t English, or Australian, or US, or European or Russian. Or Italian. He’s Brazilian, and I know little of Brazilian music. (It’s said that Brazil got musically exploratory when it shrugged off European royalty and government style.) So soon I’ll have Symphonies by Villa-Lobos Nos. 1, 2, 3, 4, 6, 8, 9, 11.

Think he wrote about 13 symphonies. He is, for one thing, very melodic, and I enjoy melody. Well worth following up.